Over a career that takes in almost two decades with Dead Can Dance, award-winning movie soundtracks and a series of acclaimed solo and collaborative albums, Lisa Gerrard has established herself as one of Australia's most ground-breaking and in-demand artists. Singer and composer, Lisa brings a vision that is both precise and all-embracing to everything she does.

It is a musical journey that began in the early 1980s when she and fellow Australian Brendan Perry formed Dead Can Dance, one of the world's most original bands whose proud boast is that they never fitted into any neatly manufactured genre or predefined pigeonhole. With Lisa's otherworldly voice counter-poised by Brendon's mellifluous tones, from the outset, they thought nothing of setting discordant electric guitars and dark, rolling bass lines against cellos, trombones and timpani.

In recent years Lisa has also become a much sought-after composer of soundtracks. In many ways this has been a logical progression. Much of the work of Dead Can Dance had a cinematic quality that led to the group's music being used in the cult movie Baraka, TV commercials and even a car chase scene in Miami Vice. Among the many films and documentaries she has scored or contributed to are Gladiator, Insider, Whale Rider, Black Hawk Down, Heat, Ali, King Arthur, Tears Of The Sun, The Mist, Salem's Lot, A Thousand Roads, Ashes & Snow, Layer Cake, El Nino de la Luna, Balibo, Henry Poole Is Here, Solo, Playing For Charlie & Ichi.